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A review of research into factors that influence the quality of English education in schools in England. This review explores the research literature relating to English.The purpose of this review is set out more fully in the ‘Principles behind Ofsted’s research reviews and subject reports’.
The plot is nonsense, but writer-director Hugo Blick lets Blunt and her co-stars shine in this tale of an English noblewoman on a revenge mission in 1890s America. Alan Sepinwall's review I never got around to Blick’s follow-up, Black Earth Rising, starring a pre-I May Destroy You Micaela Coel as a Rwandan-born law investigator living in London who gets caught up in a case tied to the Rwandan Genocide. So the premiere of his latest show, the Emily Blunt vehicle The English, provided a chance to see whether I could track a Blick narrative if the room wasn’t spinning as I watched.The experience of watching The English while healthy, though, proved roughly the same as bingeing The Honourable Woman from a sick bed. Blunt is fantastic, as are many of her co-stars. The whole thing looks gorgeous, and it has some thoughtful variations on Blick’s pet theme about what happens when people from one culture get mixed up in the affairs of another.It is 1890, in that hazy era when the Wild West was in the final stages of being tamed. Cornelia Locke (Blunt) is an English noblewoman who has come to America seeking revenge on the man she blames for the death of her son. Her trail crosses that of Eli Whipp (Chaske Spencer), a veteran of the U.S.While many of the supporting players are colorfully drawn and well played by the likes of Guerrero or (as a frightening bandit queen with a very specific grudge against indigenous people) Nichola McAuliffe, it becomes challenging in a hurry to keep track of everyone’s true motivations — or, at times, even how Cornelia or Eli get from one point of the story to the next. While many streaming shows suffer from not having enough story to fill the allotted episodes, The English often plays as if Blick wrote 12 episodes, then had to squeeze everything into half that, not always gracefully.
In a rich new play by Sanaz Toossi, four Iranians and their language teacher find second selves in a second tongue. How our mother tongue gives us voice yet limits our world — and how a new tongue expands that world yet may strangle our voice — is the subject of “English,” a rich new play by Sanaz Toossi that opened on Tuesday at the Linda Gross Theater. Both contemplative and comic, it nails every opportunity for big laughs as its English-learning characters struggle with accents and idioms.The play, a coproduction of the Atlantic and Roundabout theater companies, is after all set in Iran in 2008, against a backdrop of travel restrictions and family separations. Each of the four students prepping for the Test of English as a Foreign Language, or Toefl, at a storefront school in Karaj, a city of two million not far from Tehran, has a different reason for enrolling.But the others are more ambivalent. Dignified Roya (Pooya Mohseni) is there only because her son, who lives in “the Canada” with his wife and daughter, has insisted she speak English if she wants to live with them.For the cheerful 18-year-old Goli (Ava Lalezarzadeh), the promise and pleasure of new opportunity is reason enough. “English is the rice,” she explains in the inadvertent poetry of the partially fluent.
The Broadway transfer of Sanaz ... Off Broadway in 2022, and won the Pulitzer Prize in Drama in 2023, it strikes me as a work of uncommon discipline despite its big and occasionally easy laughs.... The Broadway transfer of Sanaz Toossi’s “English,” which opened on Thursday at the Todd Haimes Theater, is the consummate consommé. Even more so than when it debuted Off Broadway in 2022, and won the Pulitzer Prize in Drama in 2023, it strikes me as a work of uncommon discipline despite its big and occasionally easy laughs.The theme is the conflict between mother tongues and other tongues. Over six weeks in 2008, as four Farsi-speaking adults at a small school in Iran prepare for the Test of English as a Foreign Language, or Toefl, they and their teacher struggle with the often humorous mechanics of initial w’s and definite articles.That isn’t a problem for Goli (Ava Lalezarzadeh). Just 18, she has no goal in acquiring English except to enjoy the easy practicality and cultural currency of the international lingua franca. “English does not want to be poetry like Farsi,” she says approvingly.The other students find the burden of imperfect English heavy. Elham (Tala Ashe) has the hardest time achieving proficiency, despite needing it most. (Her acceptance to a medical school in Australia is conditioned on achieving a good Toefl score.) Roya (Pooya Mohseni) wants to master the language so she can live with her neglectful son in Canada.
The Conjuring: Last Rites (English) Release Date - Check out latest The Conjuring: Last Rites (English) movie review (2025), trailer release date, Public movie reviews, The Conjuring: Last Rites (English) movie release date in India, Movie official trailer, news updates. The Conjuring: Last Rites (English) is scheduled to be released on 05 September, 2025. THE CONJURING: LAST RITES is the story of a family in trouble. The year is 1986. The Smurl family resides in West Pittston, Pennsylvania. They bring a gift for their daughter, Heather (Kíla Lord Cassidy), a... mirror.
Tinā Not rated. In English and Samoan, with subtitles. Running time: 2 hours 4 minutes. In theaters. ... When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. A private-school music instructor starts a choir in this New Zealand tear-jerker that hews to the tried and tested inspiring-teacher formula.
Helen Shaw on the Pulitzer-winning play, set in a classroom in Iran, and the internal displacements of learning a language; plus two Under the Radar shows: Amir Reza Koohestani’s “Blind Runner” and “The Search for Power,” by Tania El Khoury and Ziad Abu-Rish. The Pulitzer Prize-winning play, set in an E.S.L. classroom in Iran, examines the internal displacements of learning a language.The play, a portrait of an English-language class in Iran, was, she has said, her furious reaction to the “Muslim ban”—as Donald Trump’s executive order from 2017 was known—enacted as she was pursuing an M.F.A.Go!”) and the very un-Persian sound of the letter “W.” When the characters speak in English, they adopt a heavy accent; when they are meant to be conversing in Farsi, they use accentless English, as swift as unobstructed thought. “My accent is a war crime!” one frustrated student complains.The teacher, Marjan (Marjan Neshat), is focussed on the TOEFL (Test of English as a Foreign Language), but her students’ goals vary: the frequently petulant Elham (Tala Ashe) wants to attend medical school in Australia; the teen-age Goli (Ava Lalezarzadeh) is taking the test to keep her college options open; Roya (Pooya Mohseni) might be moving to Canada; and the lone male student, the nearly fluent Omid (Hadi Tabbal), says he has an American green-card interview.
In a rich new play by Sanaz Toossi, four Iranians and their language teacher find second selves in a second tongue. How our mother tongue gives us voice yet limits our world — and how a new tongue expands that world yet may strangle our voice — is the subject of “English,” a rich new play by Sanaz Toossi that opened on Tuesday at the Linda Gross Theater. Both contemplative and comic, it nails every opportunity for big laughs as its English-learning characters struggle with accents and idioms.The play, a coproduction of the Atlantic and Roundabout theater companies, is after all set in Iran in 2008, against a backdrop of travel restrictions and family separations. Each of the four students prepping for the Test of English as a Foreign Language, or Toefl, at a storefront school in Karaj, a city of two million not far from Tehran, has a different reason for enrolling.But the others are more ambivalent. Dignified Roya (Pooya Mohseni) is there only because her son, who lives in “the Canada” with his wife and daughter, has insisted she speak English if she wants to live with them.For the cheerful 18-year-old Goli (Ava Lalezarzadeh), the promise and pleasure of new opportunity is reason enough. “English is the rice,” she explains in the inadvertent poetry of the partially fluent.
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Iain Forsyth and Jane Pollard call on Tilda Swinton and other stars to honor British singer-songwriter Marianne Faithfull in doc 'Broken English. Playing out of competition in Venice, writer-directors Iain Forsyth and Jane Pollard call on the likes of Tilda Swinton, Courtney Love and George MacKay to honor the British singer-songwriter.An eternal “it girl” — charismatic, original and ahead of every curve right up until she died this year aged 78 — British singer-songwriter-actor Marianne Faithfull receives a fulsome, loving tribute with sui generis cinematic whatsit Broken English.
Playwright Sanaz Toossi’s Pulitzer Prize winning play makes its Broadway debut in a moving, thought-provoking production. ‘Floyd Collins’ Review: Jeremy Jordan and a Stellar Score Shine in a Shadowy Broadway Musical 4 months ago ... Unlike casual language learners — say, in a high school French class, or on Duolingo — for the characters in Sanaz Toossi’s Pulitzer-winning “English,” language acquisition feels imperative.Each has their own reasons for needing a good score: Elham (Tala Ashe) requires it to go to med school in Australia; Omid (Hadi Tabbal) to get a green card; Roya (Pooya Mohseni) to appease the demands of her son in Canada, who is raising his daughter in English; and Goli (Ava Lalezarzadeh) may not have a plan for what’s next, but she knows that English fluency is a must.While there is some fun to be had — show and tell, a vocab drill game involving tossing a ball, and screenings of classic rom coms — passing this exam is a matter of the utmost importance for this quartet of English language learners.As a policy students are only supposed to speak in the language of instruction, though of course this rule gets broken all the time. In a clever feat of playwriting, Toossi has devised a system to avoid supertitles: when the characters speak English, they have thick Iranian accents, but when they are ostensibly speaking Farsi, they speak in unaccented English.
The charismatic Faithfull is quizzed by a fictional ministry fronted by Tilda Swinton about a confounding career, from 60s It girl to art scene doyenne She was the pop singer, the folk singer, the tragic addict and the indomitable survivor. Broken English, a flawed but ardent new documentary from Iain Forsyth and Jane Pollard, effectively arranges all of these incarnations like museum exhibits and invites its subject to review each one in turn – and then smash the glass to set them free.But her health has been ravaged by emphysema and Covid and she’s vague on some details and unwilling to revisit some others, and has to occasionally pause to insert an oxygen tube. In this way, Broken English catches the legend’s last glow, just before the light went out for good.Her final performance … Marianne Faithfull and George MacKay in Broken English.The porous line between truth and myth … Tilda Swinton in Broken English.
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Playwright Sanaz Toossi’s Pulitzer Prize winning play makes its Broadway debut in a moving, thought-provoking production. ‘Floyd Collins’ Review: Jeremy Jordan and a Stellar Score Shine in a Shadowy Broadway Musical 4 months ago ... Unlike casual language learners — say, in a high school French class, or on Duolingo — for the characters in Sanaz Toossi’s Pulitzer-winning “English,” language acquisition feels imperative.Each has their own reasons for needing a good score: Elham (Tala Ashe) requires it to go to med school in Australia; Omid (Hadi Tabbal) to get a green card; Roya (Pooya Mohseni) to appease the demands of her son in Canada, who is raising his daughter in English; and Goli (Ava Lalezarzadeh) may not have a plan for what’s next, but she knows that English fluency is a must.While there is some fun to be had — show and tell, a vocab drill game involving tossing a ball, and screenings of classic rom coms — passing this exam is a matter of the utmost importance for this quartet of English language learners.As a policy students are only supposed to speak in the language of instruction, though of course this rule gets broken all the time. In a clever feat of playwriting, Toossi has devised a system to avoid supertitles: when the characters speak English, they have thick Iranian accents, but when they are ostensibly speaking Farsi, they speak in unaccented English.
Four students in Iran are under pressure to pass their foreign language exams in Sanaz Toossi’s gentle comedy that puts discussion above drama and ideas above emotion A slice of life … a scene from English performed by the Royal Shakespeare Company in Stratford. Photograph: Richard Davenport · Stage · This article is more than 11 months old · Review · This article is more than 11 months old ·There is a test coming up and some feel a great pressure to pass it: Elham (Serena Manteghi) is a medical student who needs her English-language certificate for medical school in Australia; Roya (Lanna Joffrey) is a grandmother whose son has emigrated to Canada and who is desperate to connect with her grandchild.There is also Goli (Sara Hazemi), a bright-eyed teenager, and Omid (Nojan Khazai), whose reasons for being here are opaque and who is the best English speaker of the lot, including class teacher Marjan (Nadia Albina).Dramatically, two kinds of English are spoken by actors, the first fluent and native to denote the moments characters speak Farsi to each other, and the second in halting, heavily Iranian-accented English for the times they are speaking in their second language.
For the students in Sanaz Toossi’s dramedy about mother tongues and other tongues, the world’s lingua franca is not exactly free. The Broadway transfer of Sanaz Toossi’s “English,” which opened on Thursday at the Todd Haimes Theater, is the consummate consommé. Even more so than when it debuted Off Broadway in 2022, and won the Pulitzer Prize in Drama in 2023, it strikes me as a work of uncommon discipline despite its big and occasionally easy laughs.The theme is the conflict between mother tongues and other tongues. Over six weeks in 2008, as four Farsi-speaking adults at a small school in Iran prepare for the Test of English as a Foreign Language, or Toefl, they and their teacher struggle with the often humorous mechanics of initial w’s and definite articles.That isn’t a problem for Goli (Ava Lalezarzadeh). Just 18, she has no goal in acquiring English except to enjoy the easy practicality and cultural currency of the international lingua franca. “English does not want to be poetry like Farsi,” she says approvingly.The other students find the burden of imperfect English heavy. Elham (Tala Ashe) has the hardest time achieving proficiency, despite needing it most. (Her acceptance to a medical school in Australia is conditioned on achieving a good Toefl score.) Roya (Pooya Mohseni) wants to master the language so she can live with her neglectful son in Canada.
Click to discover English NYC reviews on Show-Score. Explore fan reviews, critic reviews, find out show information and get your tickets today. Show-Score members say: Great acting, Thought-provoking, Absorbing, Intelligent, RelevantSet in an Iranian classroom, the comedy follows adult students preparing for their English proficiency exam. As they navigate this linguistic journey, their diverse dreams, frustrations, and secrets emerge. Can they transcend language barriers to express their true desires?English requires a bit of patience; Toossi is painstaking about casting her spell and she is not to be hurried. But it is well worth it; by the final fadeout, it's likely you'll feel intimately acquainted with these characters. And you'll have a better sense of what it's like to live in a world where cultures bump up against each other so uncomfortably.A comedy set in an Iranian classroom where English learners navigate dreams and miscommunication.
I will add that they kept telling me to do a background check from a company called Sterling, but when I searched for their website, it said they were no longer called that; plus, there were review about the background check company taking forever and causing undue stress. I emailed Polly English ... I will add that they kept telling me to do a background check from a company called Sterling, but when I searched for their website, it said they were no longer called that; plus, there were review about the background check company taking forever and causing undue stress. I emailed Polly English about it and they never replied.Has anyone heard of this company? I received an email from them saying they were hiring, but it appeared to come from Allschool (where I signed on…Posted by u/mimi_whatever - 8 votes and 85 commentsI got the email this morning, googled the company name for reviews, ended up here.
Sanaz Toossi's beautiful, Pulitzer Prize–winning drama explores the possibilities and limits of language. English. Todd Haimes Theatre (Broadway). By Sanaz Toossi. Directed by Knud Adams. With Marjan Neshat, Tala Ashe, Hadi Tabbal, Pooya Mohseni, Ava Lalezarzadeh. Running time: 1hr 40mins. No intermission. ... Follow Adam Feldman on Bluesky: @FeldmanAdam Follow Adam Feldman on X: @FeldmanAdam Follow Adam Feldman on Threads: @adfeldman Follow Time Out Theater on X: @TimeOutTheater Keep up with the latest news and reviews on our Time Out Theater Facebook pageSanaz Toossi's drama explores the uses and limits of language.That’s the guiding philosophy of Sanaz Toossi’s ear-opening English, which premiered at the Atlantic in 2022. Now, having won the Pulitzer Prize for Drama, it has migrated to Broadway under the sponsorship of the Roundabout, with its identity entirely intact.But Marsha Ginsberg’s boxed set soon rotates to invite us inside; it keeps turning throughout the play to give us new angles, and Toossi does the same. Like any grammar, English has rules and structures that it carefully maintains, but enough exceptions and variations to provide character and texture.
Learn about different types of non-fiction and literary non-fiction texts including articles, reviews and essays with BBC Bitesize GCSE English Language. Reviews will vary in their audiences: it could be people who are specifically interested in that film or book, who are actually considering going to see the film or buy the book. But it could also be people who are just generally interested in films or books, who like to read about them.A review of a kids’ film is probably aimed at parents, who will want to know whether or not to take their children to see it. A review in a specialist games magazine will use very different terminologycloseterminologyA group of specialised words relating to a particular subject.Introduction - this gives an overview of who is in the film and what it's about. It also sums up the reviewer's conclusion about the film (so readers can form an opinion without reading the whole of the review).The most common types of review are film and book reviews, but people also review music, television programmes, theatre performances and computer games.